I just got word from my friends at the Belly Up that tonight's show with Ra Ra Riot has been canceled due to illness. Tickets will automatically be refunded to cardholders through Frontgate.
Delicate Steve and Yellow Ostrich will still perform for a low cover charge if you want to catch them. Doors will still be at 9pm.
Tonight's Casbah show with We Were Promised Jetpacks is just about sold out, but you can catch the Casbah's other show tonight at the Soda Bar with German EDM from Brandt Brauer Frick.
Showing posts with label ra ra riot. Show all posts
Showing posts with label ra ra riot. Show all posts
Wednesday, November 09, 2011
CANCELED: RA RA RIOT AT THE BELLY UP
Labels:
belly up,
ra ra riot,
sounddiego
Sunday, October 17, 2010
Jeff's Weekly Pick: Ra Ra Riot @ Belly Up Thursday October 21, 2010
In less than five years, Syracuse indie rock band Ra Ra Riot have come from relative obscurity to frenetic live show fan favorites. Led by front man Wes Miles, who is accompanied by two guitarists and a violinist, cellist and drummer. This mix of strings and guitars gives the band its unique chamber pop sound, bringing a high energy to its live performances. Signed by Barsuk Records in 2008, The Rhumb Line was the band's initial full length release. Constant touring in the US and in Europe brought increased notoriety to the group. Ra Ra Riot offered its sophomore LP, The Orchard, this past August. Critics have been somewhat mixed with regard to this album. I believe it is all part of the maturation process, since the band members are still quite young. Maybe it is just a case of doing what you do best while not taking too much advice from others. What one cannot dispute is the passion the group possesses, and it will be on display this Thursday at North County's premier venue. Should be a great night indeed.
Villagers and Givers set the stage.
Watch a video of Boy below.
Ra Ra Riot - Boy
RA RA RIOT | MySpace Video
Villagers and Givers set the stage.
Watch a video of Boy below.
Ra Ra Riot - Boy
RA RA RIOT | MySpace Video
Monday, September 07, 2009
Street Scene 2009, Day 2
What a week/weekend. I never got around to posting about day two of Street Scene for a couple reasons. One, the week just kinda got away from me with shows, some small projects, and family in town, sometimes that just happens. The greater reason was that perhaps I was a little bitter. I went back to Street Scene on Saturday ready for another action packed day, and instead found out that because of complaints, point and shoot cameras were not allowed in the photo pits. I honestly don't know how the situation could've been handled better because it is true that WAY too many people had photo passes, but I was irritated nonetheless. Then I realized I was kinda off the hook. Where Friday I was running around from stage to stage to stage and not really spending any real time watching any one band or hanging out with friends, on Saturday I was free to do whatever I wanted. That meant seeing fewer bands but for longer portions of their sets, bumping into and hanging out with a bunch of friends, and enjoying the way the beer garden was split right down the middle of the parking lot for the two main stages, Felana and Felano. So all in all, that worked out to be a pretty fun day.

Sidenote- since I was only allowed to take photos from the crowd for the most part (despite a media wristband and photo pass), Natalie sent over some of her leftover photos. I realize by juxtaposing her photos with mine, the harshness of my pictures is even more apparent, but you get the idea. If you want to see more of Natalie's photos, check them out on Spin.com or on her blog when she posts them. As for the other 100 photographers? No idea where you can find their photos so they can all bite me.
As I said, I had a fun day regardless. Read about it if you 'keep on reading'.
The day kicked off on the main stage with Black Joe Louis. Call me politically correct, but this name bothers me. In spite of that, I checked them out and they got the party started. Unfortunately this was also when an Elite security came and let me know my point and shoot wasn't good enough and I'd have to get out of the pit. Boo. It was particularly annoying because unlike the majority of the media, there were only about 10 of us there who actually got to Street Scene on time for ALL the bands, not just headliners. Whatever. It was an excuse to go find a beer.
Black Joe Louis


It wasn't long before Crocodiles were gonna start of the Casbah stage. Despite a couple WTF moments on this blog, I really like Chuck and Brandon and I think they're talented musicians, and on top of that, to me they have to be just about the savviest guys around, always just that much ahead of the curve as far as being on the cusp of what's next. They had a good amount of people at there show, dancing and singing along to the familiar songs, and I'm sure there were people just there to see them fail, too, but fail they did not. In fact, of all the shows I've seen these guys play, the sound was probably the cleanest.
Crocodiles



After Crocodiles, I mostly stayed in the beer garden between the two main stages. For one, the sun had begun to drop behind Petco Park, so this was the shadiest area, and honestly, I was stoked about the bands coming up between the stages. Ra Ra Riot is one of those bands that I always forget how much I love. I've seen them a couple times in small venues as well as opening for Death Cab at Rimac and there's such a distinct vocal softness that I love about this band...at the violin and cello and the intrumental flourishes yank on my soul. This band just makes me happy, and I was surprised how many people were there watching and singing along to the music. Where are these people at small venue shows??
Ra Ra Riot

After Ra Ra Riot, I was waiting for Josh to text and let me know he was there so I could give him his ticket, but I was hoping I wouldn't miss Public Enemy when I had to go deliver. He called about 2 minutes before PE was supposed to start, so I raced to the gates, found him, and kinda rushed him back over with me to the stage. And then we waited. And waited. I saw PE at House of Blues a while back...maybe last year sometimes...and the same shit happened. I go to enough shows to know that most bands stick to set times, whether by choice or the venue is just on top of it, and I think it's really disrespectful to other bands because now you've gone and changed the entire lineup for the night. There was some behind the scenes drama going on too, and rumors about bands not playing, but I don't need to go into what I heard other than I was just hoping everyone would play as scheduled.
20 minutes after they were supposed to start, PE's hype man came out on the decks for 10-15 minutes before they finally performed. OPP? Really? I guess the better thing for me was I ran into a friend I hadn't seen in a really long time so we had plenty of time to catch up. As for Public Enemy? Flava Flav? Fun set playing everything you'd want them to play to feel like 1996 all over again.
Public Enemy


Back to the drama, Of Montreal was tweeting about nearly getting kicked out of their trailer, about consuming mass amounts of alcohol while waiting for their 30 minute late set to begin, but they finally performed. It was my first time seeing them since I'd missed their Soma Sidestage show when they played, and it was every bit as ridiculous and over the top and theatrical as I expected and I couldn't be more pleased. As we wandered back to the beer line, they played Heimdelsgate Like A Promethean Curse and I was a happy camper.
Of Montreal

After Of Montreal's set, I was convinced things would get back on track time-wise and perhaps they did, perhaps they didn't. I didn't really care. I stopped looking at the clock and just let the night play out and enjoyed myself with good friends. It's no secret I love Silversun Pickups and they delivered a set that made a superfan like me happy, even if my photos were reduced to just taking pictures of the LED screens.
SSPU

We had amassed a group of friends somewhere between Of Montreal and SSPU. Incidentally, this is when I bumped into Seth Combs and he told me that while backstage, he mentioned me to Brian Aubert of SSPU and Brian asked if Seth worked for sd:dialedin. That made me laugh a little. Seth wasn't going to stay much longer and gave me his working badge, but it was a bit late in the night to really test access to anyone. Plus, I was with friends and didn't wanna leave them.

More beers were purchased as we watched Dead Weather but I wasn't really that into their set so much. It got much more crowded in the beer garden and Josh left, so I decided it was time to wander to other stages for a bit.
Dead Weather

And with that, I ended up over at Zarabunda waiting for Sharon Jones to play. I did go backstage over there, but it was mostly just crew and stagehands setting stuff up, so I found a chair and rested my achy tootsies while they set up. I have the Sharon Jones and The Dap Kings record and I've read blogs and articles about the band being amazing, and it's true, they certainly are, but I kinda feel like San Diego has our own Sharon Jones in Lady Dottie and The Diamonds, so where Sharon is perhaps an anomaly in the greater world of contemporary music, San Diegans know what to expect. I'm not saying this woman and her band don't totally bring it, it's just not all that unique a sound for us here.
Sharon Jones

To close out the night I wandered back over to catch MIA for a bit. Every time I see her I'm a bit visually overstimulated, mostly just by her outfits alone. There were mixed reviews on the performance, but I was pretty content with this being the end of my Street Scene 2009 experience. I'm just gonna throw this out there to Rob Hagey, but I've got plenty of input if they need help next year. I don't want to see Street Scene end, ever, and while overall they've had their successes and failures, I think it can once again be the climax of San Diego's summers.
MIA


Sidenote- since I was only allowed to take photos from the crowd for the most part (despite a media wristband and photo pass), Natalie sent over some of her leftover photos. I realize by juxtaposing her photos with mine, the harshness of my pictures is even more apparent, but you get the idea. If you want to see more of Natalie's photos, check them out on Spin.com or on her blog when she posts them. As for the other 100 photographers? No idea where you can find their photos so they can all bite me.
As I said, I had a fun day regardless. Read about it if you 'keep on reading'.
The day kicked off on the main stage with Black Joe Louis. Call me politically correct, but this name bothers me. In spite of that, I checked them out and they got the party started. Unfortunately this was also when an Elite security came and let me know my point and shoot wasn't good enough and I'd have to get out of the pit. Boo. It was particularly annoying because unlike the majority of the media, there were only about 10 of us there who actually got to Street Scene on time for ALL the bands, not just headliners. Whatever. It was an excuse to go find a beer.
Black Joe Louis


It wasn't long before Crocodiles were gonna start of the Casbah stage. Despite a couple WTF moments on this blog, I really like Chuck and Brandon and I think they're talented musicians, and on top of that, to me they have to be just about the savviest guys around, always just that much ahead of the curve as far as being on the cusp of what's next. They had a good amount of people at there show, dancing and singing along to the familiar songs, and I'm sure there were people just there to see them fail, too, but fail they did not. In fact, of all the shows I've seen these guys play, the sound was probably the cleanest.
Crocodiles





After Crocodiles, I mostly stayed in the beer garden between the two main stages. For one, the sun had begun to drop behind Petco Park, so this was the shadiest area, and honestly, I was stoked about the bands coming up between the stages. Ra Ra Riot is one of those bands that I always forget how much I love. I've seen them a couple times in small venues as well as opening for Death Cab at Rimac and there's such a distinct vocal softness that I love about this band...at the violin and cello and the intrumental flourishes yank on my soul. This band just makes me happy, and I was surprised how many people were there watching and singing along to the music. Where are these people at small venue shows??
Ra Ra Riot


After Ra Ra Riot, I was waiting for Josh to text and let me know he was there so I could give him his ticket, but I was hoping I wouldn't miss Public Enemy when I had to go deliver. He called about 2 minutes before PE was supposed to start, so I raced to the gates, found him, and kinda rushed him back over with me to the stage. And then we waited. And waited. I saw PE at House of Blues a while back...maybe last year sometimes...and the same shit happened. I go to enough shows to know that most bands stick to set times, whether by choice or the venue is just on top of it, and I think it's really disrespectful to other bands because now you've gone and changed the entire lineup for the night. There was some behind the scenes drama going on too, and rumors about bands not playing, but I don't need to go into what I heard other than I was just hoping everyone would play as scheduled.
20 minutes after they were supposed to start, PE's hype man came out on the decks for 10-15 minutes before they finally performed. OPP? Really? I guess the better thing for me was I ran into a friend I hadn't seen in a really long time so we had plenty of time to catch up. As for Public Enemy? Flava Flav? Fun set playing everything you'd want them to play to feel like 1996 all over again.
Public Enemy



Back to the drama, Of Montreal was tweeting about nearly getting kicked out of their trailer, about consuming mass amounts of alcohol while waiting for their 30 minute late set to begin, but they finally performed. It was my first time seeing them since I'd missed their Soma Sidestage show when they played, and it was every bit as ridiculous and over the top and theatrical as I expected and I couldn't be more pleased. As we wandered back to the beer line, they played Heimdelsgate Like A Promethean Curse and I was a happy camper.
Of Montreal

After Of Montreal's set, I was convinced things would get back on track time-wise and perhaps they did, perhaps they didn't. I didn't really care. I stopped looking at the clock and just let the night play out and enjoyed myself with good friends. It's no secret I love Silversun Pickups and they delivered a set that made a superfan like me happy, even if my photos were reduced to just taking pictures of the LED screens.
SSPU


We had amassed a group of friends somewhere between Of Montreal and SSPU. Incidentally, this is when I bumped into Seth Combs and he told me that while backstage, he mentioned me to Brian Aubert of SSPU and Brian asked if Seth worked for sd:dialedin. That made me laugh a little. Seth wasn't going to stay much longer and gave me his working badge, but it was a bit late in the night to really test access to anyone. Plus, I was with friends and didn't wanna leave them.

More beers were purchased as we watched Dead Weather but I wasn't really that into their set so much. It got much more crowded in the beer garden and Josh left, so I decided it was time to wander to other stages for a bit.
Dead Weather

And with that, I ended up over at Zarabunda waiting for Sharon Jones to play. I did go backstage over there, but it was mostly just crew and stagehands setting stuff up, so I found a chair and rested my achy tootsies while they set up. I have the Sharon Jones and The Dap Kings record and I've read blogs and articles about the band being amazing, and it's true, they certainly are, but I kinda feel like San Diego has our own Sharon Jones in Lady Dottie and The Diamonds, so where Sharon is perhaps an anomaly in the greater world of contemporary music, San Diegans know what to expect. I'm not saying this woman and her band don't totally bring it, it's just not all that unique a sound for us here.
Sharon Jones


To close out the night I wandered back over to catch MIA for a bit. Every time I see her I'm a bit visually overstimulated, mostly just by her outfits alone. There were mixed reviews on the performance, but I was pretty content with this being the end of my Street Scene 2009 experience. I'm just gonna throw this out there to Rob Hagey, but I've got plenty of input if they need help next year. I don't want to see Street Scene end, ever, and while overall they've had their successes and failures, I think it can once again be the climax of San Diego's summers.
MIA

Labels:
crocodiles,
m.i.a.,
of montreal,
public enemy,
ra ra riot,
sharon jones and the dap kings,
Silversun Pickups,
sspu,
street scene
Wednesday, September 26, 2007
Tuesday Recap: Ra Ra Riot & Modernstate at The Casbah
With the fear of getting sucked into shitty fall tv previews, I decided I needed to head out on Tuesday night. I was fortunate enough to catch modernstate a few months back when they played at Scolari's and I was impressed so I headed to the Casbah in hopes of catching them again. Though I arrived a little later than I'd hoped, I still had plenty of time to go because apparently, because of some miscommunication between bands and their booking agent, two of the bands listed on the bill (Kennedy & The Vacation) didn't show up. It was unfortunate because modernstate had already set up in the Atari Lounge and could've been on the main stage. No problem for Sam and Jesse, however, because their sound and equipment is very self contained. By the way, I keep saying "they" but Modernstate is the project of Sam and his recordings are his alone; Jesse just plays with him live on occasion and has his own solo project called gulls. Jesse will be with modernstate tonight in Tucson, but then Sam heads out on his own across the country.

Modernstate impressed once again. The music is experimental with lyrics that are at times political and other times philosophical (and at times, both) and the trumpet, guitar, keys and drums are played live and then amazingly looped to make it sound like there's a larger band making the accompanying sounds.

Unfortunately, I was beard shy once again, so I didn't take very good pictures while they played, but talking to the guys after, they let me take a pic of them and turned out to be really great guys. I know I need to get over the beard=band of horses=bastard association, but I guess I'm still a bit scarred.

After modernstate, Ra Ra Riot hit the mainstage. I never thought I would say I'd rather see a band at the Beauty Bar instead of the Casbah, but if Ra Ra Riot comes through town again, that is where they should play (and I told them so after the show). They have this great indie rock sound complete with electronic violin and electronic cello, occasional keys with the standard guitars and bass, but the guitar and drummer keep a very New Order dancey pop beat throughout.
Ra Ra Riot Setlist, Casbah, 9/25/07

The band is a 6 piece from Syracuse, New York and the crowd was thin, but I know I don't speak for myself by saying they were great. This was the band's first time to San Diego and they finished their tour here before they head to Europe for an opening spot with the Editors. They've also toured with Tokyo Police Club. The band looks relatively young, but they are all skilled musicians and seem to have already been through a lot as a band, including the tragic loss of their drummer this summer.




The band seemed a little crowded on the stage because they're all so high energy and they bounce all over the stage, and at times, into one another. "We're not usually like this," Wes told the crowd, "but it's the last night of our tour." They busted through their set and just as quick, their set was over. The band has 4 days to get back to Syracuse. "We're stocked on RedBull and we're gonna drive non stop for two days." Crazy, crazy kids.


It seemed like the bands liked San Diego and hopefully keep us in mind next tour around, when surely their buzz will be guarantee a larger audience.
After the bands finished and after the Casbah scooted everyone out, it was still pretty early. The modernstate guys were staying with a friend near Scolari's, so I suggested checking out the Pink Elephant. As I was leaving the Casbah, I saw they were jumping the engine of Ra Ra Riot's van, so hopefully those guys got on the road safely and don't encounter any problems in their marathon drive across the country. They showed up at the Pink Elephant shortly after me and it was fun hanging out to close out the night. The pink elephant parade came on and signaled the end of the night so we said our goodbyes and I was on my way to reflect on another great evening in San Diego.

Modernstate impressed once again. The music is experimental with lyrics that are at times political and other times philosophical (and at times, both) and the trumpet, guitar, keys and drums are played live and then amazingly looped to make it sound like there's a larger band making the accompanying sounds.

Unfortunately, I was beard shy once again, so I didn't take very good pictures while they played, but talking to the guys after, they let me take a pic of them and turned out to be really great guys. I know I need to get over the beard=band of horses=bastard association, but I guess I'm still a bit scarred.

After modernstate, Ra Ra Riot hit the mainstage. I never thought I would say I'd rather see a band at the Beauty Bar instead of the Casbah, but if Ra Ra Riot comes through town again, that is where they should play (and I told them so after the show). They have this great indie rock sound complete with electronic violin and electronic cello, occasional keys with the standard guitars and bass, but the guitar and drummer keep a very New Order dancey pop beat throughout.


The band is a 6 piece from Syracuse, New York and the crowd was thin, but I know I don't speak for myself by saying they were great. This was the band's first time to San Diego and they finished their tour here before they head to Europe for an opening spot with the Editors. They've also toured with Tokyo Police Club. The band looks relatively young, but they are all skilled musicians and seem to have already been through a lot as a band, including the tragic loss of their drummer this summer.




The band seemed a little crowded on the stage because they're all so high energy and they bounce all over the stage, and at times, into one another. "We're not usually like this," Wes told the crowd, "but it's the last night of our tour." They busted through their set and just as quick, their set was over. The band has 4 days to get back to Syracuse. "We're stocked on RedBull and we're gonna drive non stop for two days." Crazy, crazy kids.


It seemed like the bands liked San Diego and hopefully keep us in mind next tour around, when surely their buzz will be guarantee a larger audience.
After the bands finished and after the Casbah scooted everyone out, it was still pretty early. The modernstate guys were staying with a friend near Scolari's, so I suggested checking out the Pink Elephant. As I was leaving the Casbah, I saw they were jumping the engine of Ra Ra Riot's van, so hopefully those guys got on the road safely and don't encounter any problems in their marathon drive across the country. They showed up at the Pink Elephant shortly after me and it was fun hanging out to close out the night. The pink elephant parade came on and signaled the end of the night so we said our goodbyes and I was on my way to reflect on another great evening in San Diego.
Labels:
casbah,
modernstate,
pink elephant,
ra ra riot
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