Showing posts with label river city. Show all posts
Showing posts with label river city. Show all posts

Tuesday, March 15, 2011

You Can Wreck My Home Anytime... You Dirty Little Homewreckers...


Give Em Hell

little hurricane | Myspace Music Videos


Okay, so this post isn't going to win me any awards or probably teach you anything new, but If you're new to San Diego, and didn't know, The San Diego Music Award winning duo, Little Hurricane's new record, "Homewrecker" just dropped on itunes and if it doesn't win something at the SDMA's this year, then I'm going to hand them one of mine. (I'm just a pussy-lipped singer/songwriter with open mic generics anyways...) I've already listened to the album thrice, and my ears won't quit making out with my headphones. @LILHURRY's frontman, Tone, has a voice that is about ready to explode, and if you haven't met CC, then you've possibly missed the hottest drummer San Diego's ever known. (I'm totally gonna research chick drummers in SD and do a post on it... so feel free to nominate the hottest chick drummers in the "comments" section.

The best way to describe their sound is to say that they're a mix of dirty blues and california surf. They're similar to the Black Keys, White Stripes, or Cage the Elephant, but with Jon Foreman's (Switchfoot) voice. The album is wicked consistent with great songs like "Sweet Pea", "Homewrecker" and "Give Em Hell". They are a "MUST SEE" whenever they're in town and they'll be playing at SXSW 3 or 4 times this week. (You can see where on their myspace.) They are having their album release at the Casbah on April 2nd with Get Back Loretta, River City, and Low Volts. (Why it's not a "Featured" concert is beyond me... get with it, Casbah...) (9:00 start time, buy your tickets before it sells out.) (Also... if you guys want me to play a tambourine or sell merch... I will... seriously...)

I only have a small critique on the album. I've seen them play live 3 or 4 times, and I know Tone can go off even bigger on his vocals than he showed on these tracks. I would have loved to sit in the studio with them and have him scream into the mic so that it ruined his voice for a month and a half. I feel like he held a little bit of the dirtiness back, but on the other hand, CC did do a great job on her vocals. (I know that's kind of a critique, but I'm a pitch guy, ask Holslin... and even perfect 10's can miss a note or two...)

If they don't follow this album with a live record, I will go on a hunger strike and camp outside of the San Diego Zoo flinging poo at people. (That one was for you, Rosey... You go to the San Diego Zoo too much... Me and Tim Pyles both agree. I'm also not mad that you didn't invite me to SXSW, but still asked me to write in the blog. Whatever.) I'm gonna go ahead and call it now- when their live record comes out, it better win a SDMA or I'll give them my other one.

This album and band are so good, Seth Combs would probably clap once or twice.


*no homes were wrecked during the writing of this blog

Tuesday, January 18, 2011

SoundDiego Live Presents River City & Hotel St. George

This Thursday night, SoundDiego is back with another free show featuring some great local bands and hosted appetizers and Ketel One vodka from 7-8pm. It is recommended that you RSVP if you wanna take part in the hosted part of the evening as it is limited to 200 people, but the show is free with River City and Hotel St. George providing most of the entertainment for the evening, though I almost feel obligated to ride that mechanical bull and make a complete burro of myself, which should be quite entertaining in and of itself. There will also be a DJ set by T Loper of Owl and Bear and the evening will be hosted by Chris Cantore.

Double Deuce (528 F Street)
Thursday, January 20
7-10:30 pm
FREE!!!

Monday, June 16, 2008

Good things happen when you leave the house... (Whistlestop 6.20, Casbah 6.14)

... so don't miss your chance to be at the Whistlestop this Friday, June 20th when two talented and beautiful ladies play at Troy Johnson's release party for his new book, "Family Outing." Joanie Mendenhall and Angela Correa, partners in crime from the Low Standards, will be playing full sets with their respective bands featuring material from both of their forthcoming albums. It might also be your last chance to get a copy of their sexy, silkscreened, seven-inch, split-sided single that they put out in April.

For me, it's been a good two weeks of self-imposed house arrest since coming back from Sasquatch. I've been diligently preparing like I haven't done since I was in high school for next weekend when I'll be trading places with Rosey out in Vegas to work with the Killers. But, I finally got out this week to remind myself what I'm going to miss so much about being in San Diego.

Met up with Kevin Gossett, who celebrated his birthday at the Starlite Lounge this past Saturday. After paying my respects (and being in awe of how many good looking people Kevin is friends with), I made my way over to the Casbah to watch the Cheap Leis, River City, and Bartender's Bible. I've never seen the Cheap Leis so at home and effective on stage. You would think that Tiki Tuesdays at the Pink Elephant would be the perfect place for them, but for whatever reason, every joke hit, every song swung, and folks were truly appreciative of the goofy Hawaiian magic that makes the Cheap Leis so great. I was so happy to see so many people I haven't seen in a while, Saba down from the morass of LA, Mindy out of Africa, and Ashley and John from River City, playing in the Atari Lounge.

...


Bartender's Bible closed out the night and I remember not being able to see them a few times when the Exfriends played with them at the Whistlestop before I turned 21 and could only put my nose up to the glass to hear the highs and lows of their set. There's a foreboding, moody quality woven into their familiar and comfortable country tunes that I enjoy. And still, I found an easy dance partner in Ashley Alma, neither of us knowing how to dance (and there were folks there who knew how to dance), but didn't feel the least bit out of place. I don't remember the last time I had that good a time at the Casbah.

Check out the Box Elders currently on tour from Omaha, Nebraska. I caught their set at my first Swami Mass yesterday, which was swami-less unfortunately. The Box Elders hearken back to 60s power pop and 70s punk rock, mixing the two in their live set replete with fire-shooting guitars, a keyboardist/drummer with a nasty Leslie setup. I'm going to have to start bringing a camera around, like Rosey, so people don't think I"m making shit up.

See you at the Whistlestop on Friday...

ray

Sunday, May 04, 2008

Recap: The Silent Comedy & River City @ The Stage

Tuesday night was really awesome for me. I decided to lay low, and Natalie and I met at the Ken Club for some wi-fi and cocktails. We caught up since we hadn't had the chance to really talk since before she went to Coachella and I wanted to hear all her stories. We hung out there for a few hours before she decided to take off, but Scott and Todd were there, so once she left, they took me to Zombie to catch a couple bands, but mostly the two of them just liquored me up until we called it a night.

On Wednesday, I thought I was going to stay in, but The Silent Comedy were playing a free show and it was at a new venue that I wanted to check out, so it was a win-win. Since I'd changed my headlight, I decided before I left to check my car and my taillight was out, too, so luckily the Auto Zone in City Heights is open until 10, and I stopped by to make sure my car was in good shape. Luckily, the show was later than I'd been told so I had plenty of time before the bands started.

The Stage is next door to the Bitter End in Downtown. Apparently the owner, Eric, used to be in a bunch of original local bands, but he traded in the scene to be a part of The Disco Pimps. He saw the need for a live music venue downtown and decided to open The Stage.



When you enter the bar, you're right in the venue...there are a few tables on the left, the bar on the right, and the stage in the back. There are two upstairs areas. One is directly above the entrance and has a few more tables, the other one is above and behind the stage, and there's another bar there that is open when there's enough people to require it. There is also a small lounge area in the basement where the bathrooms are.

The room is cool, had pretty brick walls and high ceilings, but personally I'm really over the red lighting in every bar, and of course, the stage was lit with red lights as well . I knew going in that a bar downtown probably wasn't gonna have cheap drinks, but when I ordered a vodka tonic and was told that they'd run out of the well, I was annoyed that I paid $7 for a Ketel tonic. It's not my fault they're out of the well and most places will charge the well price if that's the way you order it. I was also annoyed because the bar serves food. The chick bartender said they stopped serving when people stopped ordering, but then Jaime had an appetizer, which was like a spinach artichoke dish of some sort that was damn good, but there were too many chips left over so she wanted to order more of the dip and the guy bartender said the kitchen closed at 10. Not major issues, but small details the bar is gonna have to work out.

River City opened up the show and I particularly like their songs that are heavy on the harp, but sometimes the vocals get a little off key, but all in all I enjoy their sound. The sound in the room was pretty good, though the crowd was pretty chatty. Some really hammered guy came up front to dance and was falling all over himself, so he was a little distracting, especially when he fell into some girl. After the set he was tossed from the bar.



Between bands, I heard a woman calling out $3 wells next door, so I went over to have one. I went into Xavier's where there was really bad karaoke and ordered and my drink was $6. Confused, I asked about the $3 wells and the bartender didn't know what I was talking about. Turns out I went in the wrong bar. Lame. I try not to hate downtown, but it is really hard sometimes.

Back at The Stage, the bar was packed. The Silent Comedy has enough fans who love them, but there were also a significant amount of people who seemed to come into the bar because there was no cover.





They played a set a little different, since they were tired of the same old songs after having just toured. They were pretty crowded on the stage but still put on a raucous show and they played the longest set I've even seen them play which was cool.





I recorded the band performing a new song called Victory and the violin just sounds incredible, so here's the YouTube of that.

The Silent Comedy "Victory"




Toward the end of the set, I went to the bar to get a drink. The bartender said something like, "Let me guess...a glass of water?" I mention this because it tells me that I wasn't the only one unhappy with the prices, and wouldn't it be better to have a room full of drinkers if the drinks are $4 or $5 instead of a room full of people ordering water?

Anyway, the show ended and I bailed and hit up Commune Wednesday at Bar Pink Elephant and it was good being back in the hood. I hope The Stage survives, but I think it will have to work hard to get people who typically support local music to make the trek downtown because for me, I'd rather stick to North Park, Kensington, City Heights, and The Casbah then deal with parking, high drink prices, and downtown peeps.

Sunday, March 16, 2008

Weekend Recap: Old Man Hands, River City 3.13.08 & The Boredoms 3.15.08

Sometimes I feel like bands would gain more interest if they didn’t play as much as they do- over-saturation can be a problem. On the other hand, there are musicians who, as far as I’m concerned, don’t play nearly enough. One of those is Old Man Hands. Anytime they play, I try to catch them because they’re so talented and honestly, Gabriel’s is the only voice in San Diego that makes me cry on the inside everytime I hear it. Conveniently, they played at the Ken Club on Thursday night and I made sure to arrive early enough to see them.

There were quite a few people there, but honestly, it was the first time I ever wished there were less people in the room because the crowd was incredibly rude. Old Man Hands, even with a full band, are quiet, and their music deserves a hushed attentive crowd. Instead, they got a bunch of chatty people who took the bands playing as a sign to talk even louder. It was really disappointing to see a band a band basically helpless and they were noticeably frustrated toward the end of the set. It’s a Catch-22 for a band- say something and you sound self-important, don’t say anything and the people there to see you wonder why you didn’t speak up. Gabriel handled it as well as he could and asked, “Can you guys turn it down?” Despite the crowd, the band sounded great. Rachel wasn’t playing violin with the band on this night, but they still sounded lush with the drums, guitars, mandolin, keys, and my favorite, the accordion. I was also happy that my ATM is across the street because I’ve been meaning to buy their CDs for a while but never had the scratch on me when I’ve seen them before. They started with my favorite song, Slip Away, and played a solid set, mixing in a couple all instrumental songs. I don’t know what the last song was called, but the mandolin sounded so beautiful and really helped distinguish the song.







River City were up second and had a louder sound and therefore weren’t bothered by the still loud crowd, and for a Thursday night there were quite a few people in the crowd. It was my first time seeing River City and I was really impressed. I’m always impressed when a band switches around instruments, and in this case the female drummer jumped in and played bass to join in vocals and the bassist picked up drum duties. I’ll definitely need to keep an eye out for these guys playing again.







The Common Loon finished up the night but it was kinda late for a Thursday night- I don’t think people knew they were gonna be on the bill, so the room pretty much cleared out. I, too, only stayed for a couple songs. They were pretty smart and had put out some free CDs so I’ll have to take a listen and check them out again, too.




Friday night came and went and I took such a lengthy end of the week nap, that by the time I went to the Ken, I’d missed Secret Apollo, then got so caught up talking to friends that I missed The Airlines and Anna Troy. I’m really disappointed that I missed The Airlines because they made such an impression on me the last time I saw them. I talked to Blake for a while after their set and he told me they’ve been recording a lot lately, mostly in LA, but they also were able to record a couple tracks in Nashville, so I’m really looking forward to that release.

I did my ritual of going home and catching up on the past week of In Treatment. If you have HBO, I highly recommend this show. It’s really well done, the characters are well developed, and it definitely builds tension in anticipation of each new episode.

Now it’s Saturday and I’m sitting in The Boredoms tour bus. They’re from Osaka, Japan, and they’re playing tonight at Cane’s. I’m babysitting the tour manager’s three year old, so we wandered around Belmont Park for a while, rode the carousel, played some video games in the arcade, made a quick stop on the beach, then hung around Cane’s.




He briefly wanted nothing to do with me which was a sure sign that he was tired, so I carried him to the bus while he shrieked in my ear screaming bloody murder. It was pretty cute, to be honest, because then some of the band guys came in and he was trying to get them to take him back to his mom, but everyone went about their business and eventually he snuck off and put himself to sleep in his bunk.

These are some pictures from inside the bus.






His mother is gonna try and come in here in a bit so I can see the band sound check and hopefully take some pictures. The bands setup is incredible, with three full metal drumsets. They’re not actually playing until 11, so I’ll probably be babysitting well past midnight, which is just fine by me. Maybe I’ll actually get to bed at a normal time.

That’s all for now. This bus is swaying side to side because it’s so windy down here. Get ready for the news to announce “Stormwatch 2008” or some exaggerated gimmick. I’m signing out now so my battery doesn’t die.

postscript: I went in for a couple sound check songs while Toma's mom watched him on the bus, but then she came in the venue so I went back to the bus. Here are some pics from the soundcheck:






It wasn't until fairly late that I discovered the pass word for the satellite wi-fi, so I didn't get to post this until today, Sunday. We all ate dinner on the bus, though most of the band and crew were up in the front and I was in the back room on the bus so as not to crowd them. After everyone ate, they all slept for an hour before they had to go onstage at 11, and of course that's precisely when Toma woke up crying for his mother. He kept saying something that I'm sure translated to "I hate you" because he thought I was just being mean not letting him see his mom.

I took him outside and it was freezing, but he screamed for close to an hour, then finally the band went into the club so we went back on the bus and I entertained him for a couple hours finding videos on YouTube of Dora The Explorer, The Backyardigans, and a Japanese DVD he had. He'd cry between clips, but anytime music was on he seemed to be ok. The band finished about 12:30, but they all had to load out, so I didn't leave until after 1 am. It was an interesting day to say the least, and I was so exhausted that I actually slept in really late today, which happens frequently but not when alcohol hasn't been involved, so I'd say my body needed it. Now I'm all rested for the upcoming week. I'm gonna work on this week's listing now.

Saturday, January 19, 2008

Tonight's Silverbird Show is on at Heavy Press

While I haven't gathered more info on the situation over at Scolari's I have been informed that tonight's show has found a new home.

River City, Silverbird, and Red Feathers will now be playing at Heavy Press, 2312 El Cajon Blvd. Because Heavy Press is a print shop, the show is now open to all ages (though grownups can BYOB). Plan on getting there around 9-ish.


The bonus is that the print shop has this wood on the walls that should really complement the organic sounds of these amazing bands. I know there's a lot going on tonight, but if you haven't checked out Silverbird and Red Feathers, this would be a great place to finally do it, and while I haven't seen River City, they sound awesome, too. (Hear them on MySpace) Plus, who isn't a fan of bands playing in non-traditional venues every once in a while?